Just had a unique contact with woman who had similar circumstances as I. We had lots to relate to and we talked for about two hours. I gave my phone number, but I could tell she probably would never actually contact me after this. I’m not a model by any means, and nothing special. She won’t ever call or message me. I can feel it. She’s way out of my league. It’s too bad. But oh well.

So, I don’t know where to start with this. We met at a music festival 8 years ago and became instantly close because we also lived nearby. At the time I’d watch her young kid, cook, always come over, do everything together type thing. Eventually I was her MOH in her wedding 4 years after that and shortly moved from our city 3000 miles away to an isolated tropical location.
I was the first friend to visit just 3 months after they moved (about 4 years ago now), we had a great time. She had a baby and I visited when the while was 1, and I visited again early this year when her child was almost 3-year-old. We have maintained a close long-distance friendship through these years, and I was always one to visit. I’ve been a good friend being long distance, sending care packages, gifts for her now two kids, etc. I always pick up the phone and make time for her to talk. We have business plans together and know everything about each other.
The last few months she will hardly talk to me, I know she’s busy with a toddler, but this has been beyond quiet. Let me rewind to earlier this year where, reflecting, she might have been kind of a bad friend. In early January, another city friend of ours was going to go visit so I thought it would be fun if I fly out too. I pay for a ridiculously expensive flight to go see her a few days before new year’s, but I didn’t care because life is short. So, we would have maybe 4 days together to catch up and be friends. On the night of New Year’s Eve, we mee these random people on a boardwalk. She gets this girls number who closer to my age and has two young kids, makes sense because she just moved to this island and that way their kids have a playdate. I expect they would do this after I left.
The next night this new friend calls her looking for weed to smoke because they are new, and she wants some of the stuff that I threw down money for my time being there with my friend. This new girl brings over a crew of like 6 or 7 other people to smoke this weed the next evening, kind of robbing my time with my best friend. Whatever I thought, until a day or two later my friend invited her over again (and their whole crew) so their kids could play.
Now I get it, I don’t have kids or anything, but I thought my friend would want to spend some more time with me and not some new randoms. I would have hung out just with her and her toddler (since she made me her toddler’s godmother) because that’s what I flew out to do before our other friend got out here, but boy was I wrong.
Also, through the trip she would leave me along with her toddler without warning while her and her husband went to go smoke (I felt left out). I understand my friend has children so there would be kind of working around the child’s time and all that, but I didn’t expect her to want to spend so much time with new strangers at her house and quite literally leave me in the corner.
Now that she has hardly been talking to me (I know she is having an emotional affair) I am looking back on her actions as a friend, and I just feel icky. Maybe her pulling away is a gift but I still feel sad. It makes me feel I can never be taken seriously as a friend because I don’t have kids or something. Mind you, she never sends me anything or takes initiative for me to come over even though she always hosts and all that (she lives in a very popular vacation destination) but I go there more for time with my friends than a free vacation (I pitch in for food, want to spend time with them, ect.). So lately I’ve just had radio silence even though I know she has time, she probably prefers these new island people.
So we have stopped talking as much and upon reflection, I feel like I am not that important to her. How would everyone else feel in this situation? Thank you.

I'm new to applying on indeed and wonder if this is a scam or if employers really ask for all of this info before even doing an interview? I did apply for the job and it seems legitimate, but perhaps someone can clue me in if this is how things go during the hiring process.
"My name is Mike and I am contacting you from 1st Choice Mechanical Inc. We received your application for the post of Customer Service Assistant in our company. We have gone through your resume and we are pleased to inform you that you will be a good fit for our company.
You are currently one of the 5 applicants we've shortlisted for hire. You are required to complete a mandatory IDme identity verification as done for all prospective employees. The details of your job description, work contract, and payment will be discussed on successful completion of your IDme verification which is then followed by us scheduling an introductory zoom call/interview through which appointment decision will be finalized leading to your job offer."
"To begin; - Kindly send a front and back photo of your driver's license or state ID in an attachment - Download and fill the identity verification form attached in this mail and send it back to us
Your verification commences once the above documents are received."
Thanks

I’ve started to learn French recently. My friend recommended we go to this language Exchange place where you choose your target language and chat with new people. I had a lot of fun, met a lot of people and really felt my French is getting better. Anyway, my friend had to leave a bit earlier so I stayed by myself. I was approached by an older man (in his late 40’s-early 50’s) and we started to talk a bit until the session ended not long after. I took my bag and said au revoir to everyone but he stopped me and asked “oh you’re leaving already?” I said yes as the session is over. He took out his phone and said “you should give me your number, so we can meet outside of this (for a date)”. I was shocked as I told him I’m in my 20’s. I told him he’s way older than me to which he replied “it doesn’t bother me”. I turned my back and walked away. I felt so disgusted and angry. He’s my dad’s age! He looked like a predator in my eyes and now I don’t want to come back because of this.
My friend group is split, some say I was right but others think I was an AH and way too harsh on him, that he just “shot his shot” with me. So AITA?
*sorry for my English, it’s not my native language. *also I’m usually really nice when people ask for my number as I know it takes a lot of courage. Just not when the person is twice my age.

I haven't heard anything from the blackmailer for 75 days. But I have some questions in my mind.
The blackmailer said: “I have more about you than you think. I know all about you and I work on everything, wait and see, I will ruin your life.”
This scared me so much. He even said that he would reach my family's whatsapp accounts. But nothing happened for 75 days.
There is nothing suspicious on my phone, but could he hacked my phone? Can he gather enough information about me and come back in the future in a more dangerous and more terrifying?
Has anyone received similar threats like this? Could it be that he somehow found my IP address, my family, my phone number and dozens of information that I didn't tell him? Is this possible ?
I didn't click on any of the links. And why was he asking me specifically for my whatsapp account? I dont understand.
I'm probably thinking paranoid and stupid, but I'd love to read your thoughts

First Previous
Ja’vail woke up with a yawn, her eyes squinting in the evening light. Her room was positioned in the castle on the west side, to ensure that Tor’s sun would wake her up for her duties. It was a purpose that it served with perfection, despite the fact that she really would have liked to sleep for a few more minutes.
However, her duty could not be delayed. It was her power that served as the linchpin to Tor’s spell, and she would fulfill her duty to ensure her Diarchy’s, and her world’s, future. With a grunt of exertion, Queen Ja’vail rose from her bed, stretched out her wings, and moved to the balcony before picking up her robe. As soon as she was somewhat decent, the Queen of the Night then opened her wings, looked to the skies, and began channeling her power into the spellform that had been weaved between the planet and its moon, renewing the bonds that connected them, and ensuring the delicate balance between her magic and her husband’s would not come undone.
She performed this ritual twice a day, every day, to ensure the spell’s continued existence. In the past few months she had performed it well before Tor had performed his own renewal, and had had to go remind the foolish drake to not only perform his duties, but to hurry up and get his tail to bed. Without her efforts, and her constant reminder to the king, the entire thing would come undone, ensuring their planet’s rapid descent into division once again.
Without the two dakri turning the planet, the two sides would either become too hot or too cold to sustain life, with the twilight between them ruled by monsters birthed from the nightmares of the oppressed.
It was with some surprise, then, that as she poured her soul into this undertaking, she could feel the thrum of her husband’s power clear in her mind, letting her know that Tor had already renewed his half of the spell for the night.
He really did need that sleep, she thought, giving a self-satisfied nod towards the setting sun before turning back towards her private chamber. She still had much to prepare for her night; even with the most pressing matter out of the way, she still expected a full schedule. Her court wasn’t especially busy, as the dakri found the night to be the best time to sleep and prepare for the next day.
That was besides the point, though, as her duties rarely involved overseeing the day-to-day rule. Rather, her task was to patrol the ǣther, hunt the nightmares that plagued her people, and to do her best to heal the source of those nightmares.
This was especially important now that she had cleared the Forest of Yith and had located the source of that particularly violent nest. It was best to keep those nightmares from returning, and for this cause she was going to attempt to enter the survivor’s dreams again. She doubted she would have as much success this time as she had last time, simply because almost drowning had weakened the creature’s defenses significantly. However, she had faith that she would at least be able to soothe the visitor’s dreams, and possibly gain a little more information on how he thought.
At the very least, she’d settle for a name. She couldn’t just keep calling it ‘the creature’ or ‘the survivor,’ as those ‘names’ grew heavy on the tongue, and wore down her patience. A name would also help the visit she had planned go a lot smoother, and would hopefully help them as they tried to convince him to come to the castle with them.
Once Ja’vail was dressed, she left the comforts of her room and made her way to her husband’s study. As she expected, he was still there, his desk still quite messy, a combination of his daily paperwork and the reports of the crashed alien spaceship forming the majority of the clutter.
Much to Ja’vail’s surprise, however, Tor wasn’t at his desk. Instead, the drake was standing at his window, looking out over the countryside and the eerie sunset before him, a reminder of the twilight that his people had escaped. In his hand he held a memory crystal, its red glow plainly visible in the slowly darkening room.
“Tor, are you alright?” the queen asked as she approached her husband.
Tor turned to look at her, surprise on his face. “Oh, I am well enough, I suppose…” he said, clearly still lost in thought. The king then looked down at the memory crystal in his hand, his brows furrowing in displeasure. “I have just received some… unsettling news. I was actually waiting for your arrival before deciding on anything.”
Ja’vail took a few more steps, her eyes locked on her husband's diminutive form. “What happened?”
Tor looked at her, then back at the stone. “It isn't easy to say this, but… we may have to kill the visitor.”
Ja’vail felt like her stomach had turned to ice. “Kill? Tor, what madness are you spouting? What crime could he have possibly committed while I was asleep to earn him a death sentence?”
Tor looked at his wife, pain in his eyes. “Nothing, dear. He’s completely innocent. That is beside the point, however.”
“Then tell me, what madness has overtaken you that you would murder an innocent?” Ja’vail demanded, her tone brooking no argument. “Or what monster are you, to have taken the place of my Tor? I must say, you have the likeness down, but your impression of his mannerisms leave much to be desired.”
Tor let out a mirthless laugh at that. “No monster or madness, my dark princess. Just a visit from an old friend…” he sighed again, before turning and holding out the crystal for Ja’vail to take. “Lady Siv paid both me and the survivor a visit today. She left me this, as well as a decision to make.”
Ja’vail looked at the crystal, before staring back at her husband, a dubious expression on her face. "And she told you to kill him? I do not remember her being so heartless.”
“And you would remember correctly. She was nearly in tears when I met her, though she did well in hiding them,” Tor said, before approaching his wife. He gently took her hand, and placed the crystal in her palm. “When she saw the visitor, she also looked into his future. This is what she saw. Please, do not force me to bear this knowledge alone.”
Ja’vail’s expression softened ever so slightly before she glanced down at the stone in her hand. “I will look, but I do not promise anything.”
Tor’s crest rose, but he did not say anything else. Instead he turned back to the window, waiting patiently for his wife to see what he had seen.
The memory took Ja’vail less than a second to go through, but she felt like she had been gone for a lifetime when the world came back into focus. She stared at the rock in horror, before throwing it to the ground. It did not shatter, it being made of quartz, but it still felt satisfying after the horrors she had witnessed.
“I was not pleased, either,” Tor said, not even bothering to turn and look. “Even if the visitor was guilty of some crime, I would spare him for what he could teach our people. As it stands, he is lost and alone, hoping for a friend. And I have to kill this lonely soul.”
“But… but we can’t do this! You’re better than this… we’re better than this!” Ja’vail said, nearly in tears. “Would we really sacrifice an innocent for the security of our own realm? Would you… would you…”
“Would I what?” Tor asked, turning to his wife, fire in his eyes. “Would I judge the worth of souls? Would I weigh a single life against the good of my people? Of his people? Would I become my father?”
Ja’vail looked away, her eyes closed as she folded her arms. “I’m… I’m sorry…”
“Don’t be,” Tor said, turning back to the window. “You have no need to apologize. I cannot measure the worth of anyone’s soul, nor would I try. However, this visitor’s life is not worth the lives of every person on this planet. When you include the lives of his own world, as well as the unnamed snake people… well… the choice is quite obvious.”
Ja’vail looked down at the floor, her eyes filling with tears as she thought everything over. “Would it have been better, then, had I not saved his life? Should I have let him drown?” she asked, her voice barely a whisper.
“Maybe. Maybe not. All I know is that the spirits have told us that the lives of others are better off if his is forfeit,” Tor said, his voice filled with bitterness. “I have not even seen this visitor in the flesh, and I do not know anything about him at all. What is he like? Does he have a family? What does he enjoy?” Tor asked, looking to his wife hopefully.
Ja’vail shook her head, not daring to bring her eyes up to meet her husband’s, as she didn’t think she could contain herself if she did. “I cannot say. I was only in his mind for a brief time, and I do not understand much of what I saw,” she said, her form gently shaking, as if a chill wind had entered the room.
Tor looked back at the window, his eyes closed as he thought on this. “Essentially, we are deciding the fate of not only an innocent, but a complete stranger.” Tor took in a deep breath, then slowly let it out. “And try as I might, I cannot measure his worth as greater, or even equal, to the lives of my people’s. If it comes to it, he will be slain, and his body destroyed, just as the spirits have told us to do.”
Ja’vail began crying in earnest, her shoulders slumping with the weight of guilt. This caused Tor to turn to her, lifting her beak gently with one hand until she looked him in the eye. “So… let’s ensure that it never comes to that.”
Ja’vail looked up at Tor, hope in her eyes. “But, Tor, we can’t-”
“Shhhh…” Tor said, encircling his wife in his arms. He was shorter than her, but she still felt comforted, simply because it was him. “I’m not going to murder someone simply because of the damage his life might cause. Siv’s vision wasn’t that his continued existence spelled our doom, but that we must do everything in our power to ensure he doesn’t leave.” He pulled away from her a little, looking up into her hopeful eyes. “His death will be treated as a last resort, nothing more. For now, let us see how much worth his life is. What can he teach us? What is his people like? I, for one, do not want to squander this opportunity that the spirits have gifted us, simply for fear of an unknown future.”
Ja’vail’s crest rose as she dried her tears with the feathers on the back of her arm. “Yes… I completely agree…”
The two of them spent quite a bit of time like that, lost in each other’s arms as the sun slowly set on the horizon. Even after the world was shrouded in night, they were still there, lost in the comfort that each other provided.
* * *
Kel’vara’s beak glowed as she wove her magic, pulling the water from the bucket in front of her. It coalesced into a ball hovering inches above her hand, the swishing, splashing sounds of the liquid a soothing counterpoint to the frustration she was feeling.
She liked working with liquids when she was feeling upset. It had always come easy to her, the seemingly chaotic way it flowed and ebbed was a balm on her nerves, instead of a frustrating mess that most other practitioners found the state of matter to be.
She slowly flexed her fingers and extended her wings, the movements giving a tactile presence to the shapes she was forming in her imagination. Slowly, as if watching ice melt in reverse, the ball of water stretched and flowed, extending here, twirling there, molding and shaping to her will to become whatever she wanted.
In this instance, the water took the shape of a dragon, its long, strong legs striding through the air as it looked around, its inquisitive, intelligent eyes searching for prey, or barring that, a dakri to play with. Its long tail wagged behind it as it seemed to spot something, before it shot off like an arrow, dashing towards whatever had garnered its attention.
The small, watery, facsimile of a dragon didn’t get very far across the room before the door opened, breaking Kel’vara’s concentration and causing her happy little pet to lose its cohesion. In an instant, the once watery, spiky, two legged reptile was nothing more than a mess on the once clean floor.
Kel’vara looked up in annoyance, her gaze falling upon an irritatingly unapologetic Valros as he entered the room. “Haven't you ever heard of knocking?” Kel’vara demanded as she used her magic to scoop up the water and return it to the bucket.
Valros was unimpressed. “Kel’vara, you can’t just stay here sulking, we still have work to do.”
“I’m not sulking! I’m just practicing my more precise spell work,” Kel’vara said, turning up her beak as her crest lay flat against the back of her head.
Valros, however, did not look convinced in the slightest. “Kel’vara, The Lady is her own person. You can hardly expect her to stay around and answer every single question you have.”
“I never said that she wasn’t.”
Valros let out a frustrated sigh. “Well, if you’re sure, then I really think we need to go over the plan for tomorrow,” Valros said, trying to get Kel’vara back on track. “I don’t think we’ll need many knights, the thing’s pretty docile, all things considered. Have you given much thought in how we’re going to actually communicate with it?”
Kel’vara thought about this for a while, her beak glowing softly as she played a little with the water in her bucket, causing the surface of the liquid to ripple in odd ways. “Ja’vail said that she was able to communicate pretty well with it while it was dreaming. The only problem with that is that it was dreaming. I don’t know how dreams work with its species, but for dakri at least, anything that happens to our subconscious from outside forces is quickly forgotten. Bad dreams, flights of fancy, nothing to be taken seriously, or remembered.”
“I’ve been talking with the Captain of the Dreamguards about that too. He told me that we can’t rely upon that for communication, since we’re just as likely to get a straight answer as one about how the creature loves to eat its own pillow and ride a dragon made of Twirly Whirlys,” Valros said, stretching his wings a little and grunting with discomfort. The knight quickly brought his arm close to his chest, searching the broad wing until he found the feather that had been giving him trouble, and quickly put it back into its proper place.
Kel’vara found herself staring a little as the knight preened himself, before she turned away, her feathers fluffing a little in embarrassment. “Yes, and… ah, and in addition, the creature won’t be as weak as when we fished it from the river. It has an ǣon level spirit, after all, regardless of any actual ability it may or may not possess. We’ll be lucky to be able to intrude on its dreams at all.”
If Valros noticed her discomfort, he didn’t show it. Instead, he stood up and made his way to the window. “I remember the Sunrise Tribe had something to communicate, but it was mainly used to control their apprentices during ǣon training. It was supposed to be able to cross language barriers, but I don’t think we want to be dredging up the old ways…”
Kel’vara shuddered a little. “Those ways were barbaric.”
Valros nodded at her, but did not say anything as he stared out the window. “I suppose the only choice we have is to slowly teach the thing how to speak.”
“That’s not as easy as it sounds, though,” Kel’vara said, shaking her head. Valros looked at her, one of his brows raised, prompting her to continue. “When I treated his wounds, I ran a number of tests on him. He’s showing the symptoms of someone who has been transmuted into another shape entirely, except that he has no binding spellform keeping him in that shape.”
Valros looked confused at this. “You’ll have to forgive me, M'lady, but my knowledge of magic is somewhat limited to a handful of combat spells. You’ll have to use less formal terms with me.”
Kel’vara rolled her eyes a little, then used her magic to pull the water from the bucket again. With a thought, she caused the water to take on the shape of a dragon again. “With magic, it is possible to force something to assume another shape or state. Such as turning a dragon into a pig.” With a little exertion, the water took on the desired shape. “I’ll not bore you with the details, but things… well, they remember what they were. Always. If the spell is not properly maintained, the spellform will eventually fall apart, and the thing will revert. This is because things want to return to their old state. They’ll continue chipping away at the spellform, increasing the difficulty of keeping things in their altered state, until it grows beyond the mage’s ability to control. It’s why you cannot turn copper into gold and have it stay that way, or why you cannot turn dirt into food without accidentally poisoning someone.”
“Or purposefully poisoning someone,” Valros pointed out. “I remember history class at least. That happened quite a number of times during the Clan Wars.”
“It was a popular method of assassination, yes, but the old ruling class quickly caught on, and began screening their food before eating.” Kel’vara furrowed her eyes as she twisted the water to appear like the creature. “Whatever the bug-like aliens did to the creature, it didn’t involve magic. ‘The creature’s shape isn’t his own,’ if you remember what the queen told us. It’s entirely possible that it’s lost the ability to speak, even in its own language.”
Valros thought about this for a time. “Well, can’t we turn it back? Reverse the changes, and return it to its original shape?”
Kel’vara thought about this for a little bit, but shook her head. “It’s… possible, but there are so many unknowns. I was even afraid of using regeneration magic on him when I healed him. I had to resort to sealing spells to repair the damage.”
Valros looked confused. “I’m not sure I follow. I thought you healed it up pretty good.”
“I didn’t heal it at all. All I did was fuse its skin together, and do some very basic repair based on that strategy, to keep it from bleeding internally or externally. It’s why I still applied bandages, in case those wounds reopened; I couldn’t risk regenerating it,” Kel’vara explained, her voice both pained and exasperated.
Valros still didn’t understand what the fuss was about, though. “Why not? What’s the big deal if you use a little regeneration? And what does this have to do with changing it back?”
“Everything!” Kel’vara said, standing up in anger as she rubbed both hands through her crest. In response, the water in her grip twisted and flowed into strange shapes, a clear reflection of the tormented state of the battlemage’s mind. “This is an entirely unknown scenario, with an entirely unknown species! The spell to do this doesn’t even exist! All we have are spells to change something into something else, not to return something to its original shape. The way we would do this if this were a magical affliction would be to simply collapse the spellform, but this isn’t magic! If I were to try to change it back, any number of things could go wrong, the least being the creature dies a quick, painful death as it turns completely inside out! The closest I can come up with is the regeneration spell, which would force accelerated cell mitosis using the target’s remembered form, not its changed form. If I did use regeneration, it is entirely possible that the creature might revert…”
“...But?” Valros asked, knowing that there was a but in there somewhere.
“But the creature’s body might start attacking itself, killing itself from the inside out! The two different sets of genetic material might merge, making it into something even more monstrous than it is now! Any number of things could go wrong!” Kel’vara shouted, the water next to her turning into some kind of lumbering beast, whose basic shape only vaguely resembled the creature in the forest.
Valros held up his hands in a placating gesture. “Okay, okay, I get it. It’s probably a bad idea… but what do we do, then?”
Kel’vara collapsed into her chair, the water that she had been shaping falling into the bucket at the same time. “I don’t know… I really don’t know…”
Valros rubbed the back of his neck. “Well, there’s always pictures and trying to teach it to read…”
“That would take even longer than just teaching it to talk,” Kel’vara said dismissively. “Especially since it probably can’t-”
Before Kel’vara finished, a voice chimed in, interrupting her thought process. It seemed to be coming from the lieutenant’s belt pouch, and based on the tone of the speaker’s voice, whatever it was was urgent. “Sir Valros! Are you there?”
Valros quickly pulled out his whispering stone and gave it a squeeze, worry building in his heart. “What’s wrong, Calis?”
He almost wished he hadn’t asked, because what Calis said next turned his insides to ice. “Sir, I’m relaying a message. Viar and his drakes need backup, and they need it now. It’s those bug aliens the queen told us about. They’re here.”
First Previous
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Dun dun dun!!
Remember: if you can't wait, and want to find out what happens now, you can always just buy the books...
Amazon:
What I've Become
Nightmare of the Past
Google:
What I've Become
Nightmare of the Past

Posts in the series

• First: Here
• Second: Here
• Third: Here
• Fourth: Here (Unplanned)
• Fifth: Here
• Sixth: Here
• Seventh: Here
• Eighth: This

Brief recap

In the previous post, we continued our analysis with a second round of eliminations of more religions that cannot reasonably be from a judging and fair God. At this point, only the Abrahamic religions remain to be analyzed, which we will do below.
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The reason I wanted to analyze the Abrahamic religions together last is because they have many similarities. For one, they reference the same God and agree on many details: similar people, similar places, similar events and for the most part, even originated in the same region. In addition, two of them are the biggest religions in the world today, far ahead of all other religions in terms of adoption, nearly accounting for half of the people on the planet! The fact that they are spread out in time and that they reference each other, can at least in theory, represent a pattern of recurring communication. It's also possible that they're just copying from each others. Let's see!
The timeline of appearance of the Abrahamic religions from old to new is as follows:
Judaism

• Year of inception: 3500 years ago, approximately
• Location of inception: Middle East (Modern day Palestine)
• Messenger: Moses
• Referenced prophets: Adam, Noah, Abraham...

Christianity

• Year of inception: 2000 years ago, approximately
• Location of inception: Middle East (Modern day Palestine)
• Messenger: Jesus
• Referenced prophets: Adam, Noah, Abraham, Moses & other prophets.

Islam

• Year of inception: 1400 years ago, approximately
• Location of inception: Middle East (Modern day Saudi Arabia)
• Messenger: Muhammad
• Referenced prophets: Adam, Noah, Abraham, Moses, Jesus & other prophets.

Druze

• Year of inception: 1000 years ago, approximately
• Location of inception: Middle East (Egypt)
• Messenger: Hamza Ibn Ali Ibn Ahmad
• Referenced prophets: Adam, Noah, Abraham, Moses, Jesus, Muhammad & other prophets.

Mormonism

• Year of inception: 200 years ago, approximately
• Location of inception: New York, United States of America
• Messenger: Joseph Smith
• Referenced prophets: Moses & Jesus. Does NOT reference Muhammad (Islam) nor Hamza (Druze)

Baha’i Faith

• Year of inception: 200 years ago, approximately
• Location of inception: Middle East (Modern day Iran)
• Messenger: Baháʼu'lláh
• Referenced prophets: Jesus, Muhammad, Buddha...

Can the Abrahamic religions be instances of communication from their common God? It’s possible, however some issues surface:

• Issue 1: The Druze faith stands out with its secretive nature as it is intentionally restricted. This not only opposes the intention of communication, but also contrasts with the other Abrahamic religions that are all open.
• Issue 2: Mormonism and Baha’i Faith both start nearly 200 years ago in different places while not being compatible with each other. They cannot be both instances of communication. One of them isn’t, or both aren’t.
• Issue 3: Mormonism doesn’t accept Islam nor Druze, while Baha’i Faith accepts all major religions, even Buddhism, which is incompatible with Judaism, Christianity and Islam.

Let’s keep the issues above in mind and apply the same criteria to the Abrahamic religions in the same way we did to all of the others. We will analyze them in the chronological order of their appearance.

Judaism

Let's analyze the message of Judaism.

• Criterion 1 (Living religion): PASS
• Criterion 2 (Warning of judgement): PASS. Judaism warns of judgment day and explains the conditions for success and failure. This makes it unsafe to dismiss! It's the first religion to pass this criteria.
• Criterion 3 (Universality): FAIL. While anyone can technically convert to Judaism, it seems like it was specifically destined for Hebrew people, who later became the Israelites. Many prophets after Moses were specific to the Israelites it seems. The beliefs themselves are universal, in that they don’t have anything in particular that caters to a specific group. Still, it seems restricted to the ethnic Jewish group.
• Criterion 4 (Past reference): PASS. Judaism references previous prophets of monotheism who were supposedly sent by the same God. Prophets like Noah and Abraham. This means that before Judaism came along, there were previous instances of communication, which is necessary for a judging and fair God.
• Criterion 5 (Alignment with reality): PASS. The idea that a God created everything and is testing humanity here on Earth is plausible and does align with the reality we are living. Almost all humans share a common life track: birth, weakness with need of care, strength and autonomy, weakness with need of care again, then death. Moreover, all humans have a certain level of free will. While no absolute free will of action exists, the free will to think and accept or reject ideas is guaranteed. This makes the judgment of such free will possible.

Now let's analyze Moses, the founder of Judaism.

• Criterion 1 (Impeccable social reputation): PASS. He was a leader to his people, the Hebrews. He saved them from the oppression they were living in under the Egyptians (1). He was known for his sense of justice and courage (2). Many of his stories are told in the Bible as well as in the Qur’an.
• Criterion 2 (Non-involvement rule): PASS. Moses is the first to pass this criterion. Every single founder of religion who was mentioned previously, was publicly involved with either an existing religion that served as a launch pad or had a profession or interest that prepared the terrain for their claim. Moses was raised by the Egyptians, but never adopted their religion, nor was he involved in any other religion that he publicly taught or engaged in. He also wasn’t known to have any profession where he produced thought or knowledge.
• Criterion 3 (Sudden self-produced life direction change): PASS. Moses killed an Egyptian who was mistreating one of his people. According to Britannica, Moses voluntarily killed the Egyptian after making sure that no one was looking (3). However, according to the Qur’an, Moses killed the Egyptian by accident after hitting him, and was instantly regretful asking God for forgiveness (4). Regardless of which version of the story is true, Moses fled because he feared for his life. Now here’s the sudden life direction change, he came back after a while by his own volition claiming to be sent by some God who was unknown to the Egyptians, then confronted the Pharaoh himself!!! No sane man would do such a thing! And not just that, he survived everything and won in the end!!!
• Criterion 4 (Complete devotion): PASS. Moses came back to a place where he feared for his life, put forward the exceptional claim that he was sent by a God he wasn't involved with when he left, confronted the ruler, and succeeded against incredible odds!
• Criterion 5 (Wide reach of message): PASS. The message of Moses had and still has a big influence on this very day! There probably aren’t many people in the world today who don’t know who Moses is, regardless of their beliefs. He is one of the most important prophets in many major religions. His legacy is still a part of the Bible as the Old Testament.

If there is a judging and fair God, Moses is highly likely to be one of his messengers. He passes all the criteria while explicitly making the claim of being sent by a God. If he was a fraud, he would have had an existing history of it, and he wouldn’t have dared to come back to a place where he killed someone and feared for his life, then challenge its ruler and win! If he was a deluded self-appointed leader to his people, that delusion would have been his demise. He would have been killed, as other religious founders have. Instead, he and his people, although an oppressed minority without any military power, were able to escape their oppressors and defeat them! This is impossible without some powerful external assistance.
One can reasonably claim that the story of Moses is just a myth that is made to look impressive. That would be fair, except it had more impact than what a myth can fathom. That being said, even if we accept that it’s all a myth, or at least a heavily augmented truth, it is still told by other Abrahamic prophets who happen to have had similar or more impact than Moses did. This makes his story as valid as theirs can be. So, let’s continue our analysis.
Sources:
(1) From Britannica: Moses... Hebrew prophet, teacher, and leader who, in the 13th century bce... delivered his people from Egyptian slavery...
(2) From Britannica: ...When he found an Egyptian taskmaster beating a Hebrew, probably to death, he could control his sense of justice no longer...
(3) From Britannica: ...After checking to make sure that no one was in sight, he killed the tough Egyptian overlord...
(4) From the Qur’an (translation): ˹One day˺ he entered the city unnoticed by its people. There he found two men fighting: one of his own people, and the other of his enemies. The man from his people called to him for help against his foe. So Moses punched him, causing his death. Moses cried, “This is from Satan’s handiwork. He is certainly a sworn, misleading enemy.” He pleaded, “My Lord! I have definitely wronged my soul, so forgive me.” So He forgave him, ˹for˺ He is indeed the All-Forgiving, Most Merciful.

Christianity

Let's analyze the message of Christianity.

• Criterion 1 (Living religion): PASS
• Criterion 2 (Warning of judgement): PASS. It does warn of an upcoming judgment and details the conditions of success and failure. This makes it unsafe to dismiss.
• Criterion 3 (Universality): PASS. It is definitely universal. Anyone can be a Christian, and it’s easy to find Christians from different countries, different ethnicities speaking different languages. It doesn’t get as universal as this!
• Criterion 4 (Past reference): PASS. It references previous religions and prophets, like Noah, Abraham, Moses, and many others. All of them being sent by the same God.
• Criterion 5 (Alignment with reality): FAIL. Some concepts in Christianity don’t align with reality well. Christians view Jesus as the son of God, but also as a part of God. God being three different entities, but still one: God the father, the holy spirit and the son. A concept called the trinity. Christians believe that God sacrificed his son in order to absolve humans from their sins. This doesn’t quite make sense for many reasons:

1: If God sacrificed his son in order to absolve us of our sins, judgment wouldn’t make sense. Also, why does a God have a son? Mortals have children to continue the species and to provide for them when they grow weak. A God doesn’t need a son...

1. If God sacrificed his son, also a part of himself, it should have been the final act of life here on Earth. Instead, he let Muhammad come after and be so successful in reversing this idea, all while claiming to be sent by him!!! And what about the people who died a long time ago and never knew about this important sacrifice?
   
2. The idea that God is all-powerful, all-knowing and all-loving doesn’t stand for a judging God. It simply isn’t possible for him to have these 3 attributes at the same time. If he is all-knowing, then he knows that many humans will fail his judgment and be severely punished. Consequently, if he is also all-powerful, being all-loving would have him not resort to judgment and not punish anyone. Since he insists on judgment with a heaven and hell, then he isn’t all-loving. Muhammad also happens to correct this idea.
   
3. The conditions of success and failure in the upcoming judgment are not particularly fair. It’s not about what actions one does during their life, rather, it’s about accepting Jesus as savior. One can be the most ruthless killer, then just accept Jesus as savior in order to be absolved of all wrongdoing. Also, what about all the people who lived and died before Jesus was even born? They didn’t know Jesus; how can they accept him as savior? Haven’t they spent their lives following other rules? Isn’t that unfair to them?
   

Now let's analyze Jesus, the founder of Christianity.

• Criterion 1 (Impeccable social reputation): PASS. Jesus had a notoriously flawless social reputation and was known for his noble morals.
• Criterion 2 (Non-involvement rule): PASS. He was raised Jewish, however he wasn’t particularly involved in any public religious activity, nor did he engage in any activity that produced thought or knowledge. He was a carpenter by trade (1), until his mission started. After which, and this is critical, he was immediately at odds with the existing Jewish teachings to the point of being in danger!
• Criterion 3 (Sudden self-produced life direction change): PASS. He was known to be a carpenter, then he suddenly turned into an itinerant preacher at odds with the established teachings (2). If he had been publicly learning or teaching Judaism before his claim, he would have failed this criterion, as almost all others have. However, it’s not the case, and the transformation is self-produced and puzzling! How does a carpenter who isn’t involved with religious matters nor any knowledge or thought producing profession, suddenly become an itinerant preacher with enough difference to the established faith to become a threat and a target?
• Criterion 4 (Complete devotion): PASS. He died for his mission (the Christian version is in contrast with the Islamic version here). There is no better test of devotion. He also was at odds with the established Jewish religion, which made him a target. Most of the founders of religion that we have seen, never entered in conflict with the existing religions at the beginning, rather, they built upon them and benefited from their involvement with them.
• Criterion 5 (Wide reach of message): PASS. Christianity is the biggest religion today! Nearly 25% of humans are Christians, and the rest know or have heard of Jesus. Now this, is communication!!!

Similar to Moses, if there is a judging and fair God, Jesus is highly likely to be one of his messengers. His feat is even more impressive than that of Moses. His mission and success in correcting and complementing the existing Jewish faith against incredible odds, adds more credibility to his claim. Jesus changed the world and continues to do so today!
Sources:
(1) From Britannica: ...Joseph is said to have been a carpenter (Matthew 13:55)—that is, a craftsman who worked with his hands—and, according to Mark 6:3, Jesus also became a carpenter...
(2) From Britannica: ...As a young adult, he went to be baptized by the prophet John the Baptist and shortly thereafter became an itinerant preacher and healer (Mark 1:2–28). In his mid-30s Jesus had a short public career, lasting perhaps less than one year, during which he attracted considerable attention...

Islam

Let's analyze the message of Islam.

• Criterion 1 (Living religion): PASS
• Criterion 2 (Warning of judgement): PASS. Islam clearly warns of an upcoming judgment and details the conditions of success and failure. Consequently, it’s not safe to dismiss.
• Criterion 3 (Universality): PASS. Islam is universal. Anyone can be a Muslim, and it’s quite easy to find two Muslims who are from different countries, ethnicities and don’t share the same language. The yearly pilgrimage where millions of Muslims gather is proof to how diverse Muslims can be.
• Criterion 4 (Past reference): PASS. Islam references many past prophets (25 in total), including but not limited to: Adam, Noah, Abraham, Ishmael, Isaac, David, Jacob, Jonas, Moses, Jesus... It clearly states that God has been communicating since the beginning out of fairness, so that people wouldn’t find any excuse when judgment comes!
• Criterion 5 (Alignment with reality): PASS. Islam insists on monotheism, and clearly reverses the trinity concept that has gotten into Christianity, as well as the idea that God is all-loving, on top of being all-knowing and all-powerful.

It aligns with reality well by describing reality as a test of free will. Life is neither the suffering Buddhism makes it out to be (which it isn’t), nor is it the joyous life Tenrikyo claims it should be (which again, isn’t). Every single human is continuously tested through good and bad. When it is something bad, it is their patience and acceptance that is tested. When it is something good, it is their capacity of being thankful and generous that is tested. Everyone’s life is a mix of good and bad. Exceptions exist and are accounted for.
Islam states that God has been sending prophets since the beginning in order to remind people that judgment is coming. It states that people who didn’t get the message will be tested again. Those who got the message of the prophet of their time, accepted it and followed its guidelines, shall pass the judgment. Those who rejected the message after receiving it clearly shall fail.
Now let's analyze Muhammad, the founder of Islam.

• Criterion 1 (Impeccable social reputation): PASS. Prior to his claim, Muhammad was highly regarded by his community and known for his trustworthiness (1).
• Criterion 2 (Non-involvement rule): PASS. Again here, Muhammad was not involved in the pagan polytheist religion of his community, even though it was popular, nor was he involved in any other religion. He was a successful merchant (2) and notoriously illiterate (3). He didn’t have any profession or interest that produced thought or knowledge.
• Criterion 3 (Sudden self-produced life direction change): PASS. Muhammad’s life changed drastically after he supposedly received revelation. The first contact shocked him greatly (4). After telling his wife what happened, she took him to her cousin who was knowledgeable about the Jewish faith. He told Muhammad that what happened to him was similar to Moses, and that a day will come when his community chases him away.
• Criterion 4 (Complete devotion): PASS. Muhammad suffered a lot for his claim and was under constant threat of death (5). He used to request to be guarded at night, however upon receiving revelation that God will protect him from people, he sent the guards away from that moment on (6). He was never harmed even while having many enemies who wanted to kill him.
• Criterion 5 (Wide reach of message): PASS. Muhammad, an illiterate person living in a remote desert, without any special means or skills, was able to spread his message everywhere, and he predicted it from the start (7). He created a civilization that would change the world in just 23 years. Like Christianity, Islam is found almost everywhere, and almost everyone has heard of him and his religion. It’s not by chance that the most popular male first name in the world today is “Muhammad” (8).

If a judging and fair God exists, Muhammad is highly likely to be one of his messengers. He was leading a normal and regular life in a polytheistic society for 40 years, then suddenly started preaching monotheism, suffering for it and even going to war for it.
Sources:
(1) From Wikipedia: ...Due to his upright character he acquired the nickname "al-Amin" (Arabic: الامين), meaning "faithful, trustworthy" and "al-Sadiq" meaning "truthful" and was sought out as an impartial arbitrator. His reputation attracted a proposal in 595 from Khadijah, a successful businesswoman. Muhammad consented to the marriage, which by all accounts was a happy one...
(2) From Wikipedia: ... It is known that he became a merchant and "was involved in trade between the Indian Ocean and the Mediterranean Sea...
(3) From Wikipedia: ... Because he could not read and write himself...
(4) From Wikipedia: ...Muhammad was deeply distressed upon receiving his first revelations. After returning home, Muhammad was consoled and reassured by Khadijah and her Christian [sic] cousin, Waraqah ibn Nawfal. He also feared that others would dismiss his claims as being possessed...
(5) From Wikipedia: ...Regardless, several attempts were made at Muhammad's life...
(6) From Qur’an. Aisha said: "The Prophet was being guarded until this verse وَاللَّهُ يَعْصِمُكَ مِنَ النَّاسِ (Allah will protect you from mankind) was revealed." She added; "The Prophet raised his head from the room and said; «يَا أَيُّهَا النَّاسُ انْصَرِفُوا فَقَدْ عَصَمَنِي اللهُ عَزَّ وَجَل» (O people! Go away, for Allah will protect me)"
(7) From Sunnah: Miqdad reported that he heard God’s messenger say, “There will not remain on the face of the earth a mud-brick house or a camel’s hair tent which God will not cause the confession of Islam to enter bringing both mighty honour and abject abasement. God will either honour the occupants and put them among its adherents, or will humiliate them and they will be subject to it.” Miqdad said, “God will then receive complete obedience.”
(8) https://www.thebump.com/b/muhammad-baby-name

Druze

Let’s analyze the Druze faith!

• Criterion 1 (Living religion): FAIL. It’s not an extinct religion, but it is intentionally restricted and doesn’t accept conversions to it. How can this be a communication from a judging and fair God if the people being judged cannot have access to the material they need to succeed? If it stated that only a specific audience was targeted, that might have worked, but it doesn't say that, at least not when it started.
• Criterion 2 (Warning of judgement): PASS. Since Druze references other Abrahamic religions, I’m giving it a pass here, even though it’s not clear what the Druze actually believe.
• Criterion 3 (Universality): FAIL. It’s far from being universal. It doesn’t want to be, and it’s not.
• Criterion 4 (Past reference): PASS. It does reference other religions, even though it’s not clear in what capacity. Are the previous religions considered as previous instances of communication? Or does it complete its worldview with their knowledge? I’ll give it a pass.
• Criterion 5 (Alignment with reality): FAIL. Its closed nature makes it impossible for it to align with reality.

Now let's analyze Hamza Ibn Ali, the founder of Druze.

• Criterion 1 (Impeccable social reputation): FAIL. The Druze faith was named after Al-Darzi, who might have been either a disciple or a teacher of Hamza. A rivalry appeared between the two. Al-Darzi disputed the role of Hamza as the leader of the movement. They were both acquiring followers and engaged in regular brawls (1). So in summary, God supposedly sent Hamza as a messenger preaching that the current ruler was the embodiment of said God (If God is the embodiment of the ruler, why need Hamza at all?!!), then another man entered in competition with this messenger, who was also tolerated by the ruler, and even ended up giving his name to the movement, all the while the followers of each man fought each other. Then after said ruler was killed, the movement disappeared from its place of inception, but survived elsewhere and became a restricted religion. This doesn’t show anyone involved in a good light, especially not Hamza.
• Criterion 2 (Non-involvement rule): FAIL. There isn’t enough information about Hamza Ibn Ali before he entered Egypt in 1017. However, he fails the non-involvement rule, as he was appointed as a preacher in his own mosque before he started claiming that the reigning caliph was the embodiment of God (2). Rather convenient since that granted him support and favors (3).
• Criterion 3 (Sudden self-produced life direction change): FAIL. He supposedly received revelation, however that didn’t seem to cause any change in his life whatsoever. Receiving an unexpected contact from some God is supposed to cause a noticeable drastic change in one’s life, unless such revelation was expected or planned. Suffice it to say that he was already a preacher before supposedly receiving revelation.
• Criterion 4 (Complete devotion): PASS. Hamza definitely feared for his life but continued with his claim. He went into hiding, which seems a little bit cowardly for a prophet. In contrast, Moses came back to a place where he feared for his life, because he believed there was a God protecting him. The same happened with Muhammad who confidently sent guards away after revelation. However, since Hamza continued with his claim, considering this as a pass seems fair.
• Criterion 5 (Wide reach of message): FAIL. Hamza Ibn Ali failed to spread his message even though he initially set out to (4). If one is to say that the message couldn’t spread because of persecution, well, the same persecution occurred for Judaism, Christianity and Islam, and yet, these messages spread everywhere despite everything.

It’s extremely unlikely that the Druze faith is a communication from a judging and fair God. Its founder fails a combination of some important criteria.
Sources:
(1) From Wikipedia: ...Indeed, in his epistles, Hamza is critical of his colleague, both for al-Darzi's disputing Hamza's role as the leader of their movement, as well as for his followers' over-zealous, extremist and provocative actions, which revealed the movement's ideas prematurely and placed it under danger of attack... During this time, the followers of the rival leaders engaged in regular brawls in the streets of Cairo, cursing one another as infidels.
(2) From Britannica: ...Almost nothing is known of his life before he entered Egypt in 1017. He became a spokesman for the religious convictions of the Fāṭimid caliph al-Ḥākim (the Fāṭimids were the ruling dynasty in Egypt), who was already accorded the position of imām, a divinely appointed and authoritative spokesman for Islam...
(3) From Wikipedia: ...According to the medieval chroniclers, he too enjoyed signs of favour from al-Hakim: when he complained to the Caliph that his life was in danger, he was given weapons, which he demonstratively hung on every entrance to the Raydan Mosque...
(4) From Britannica: ...Considerable resistance to these doctrines appeared when they were first preached in 1017, and Ḥamzah went into hiding until 1019, when al-Ḥākim was able to move vigorously to support the new religious movement... Ḥamzah claimed to be representing not just another sect but rather an independent religion, one that superseded traditional Islam. Al-Ḥākim disappeared in mysterious circumstances in 1021, and, much persecuted, the Druze cult all but ceased to exist in Egypt...

Mormonism

Let’s analyze Mormonism:

• Criterion 1 (Living religion): PASS.
• Criterion 2 (Warning of judgement): PASS. Mormonism is built on top of Christianity and Judaism, to which it delegates a vast chunk of knowledge. Consequently, I’ll give it a pass here.
• Criterion 3 (Universality): FAIL. It is far from being universal. If it was God’s way to bring Christianity to its rightful state, the least we can say is that it didn’t happen. Most of Mormons are still in Utah (U.S state), where they went after Smith was killed.
• Criterion 4 (Past reference): PASS. Mormonism references both Christianity and Judaism. This makes it pass this criterion, however, the fact that it doesn’t reference Islam is problematic for its worldview.
• Criterion 5 (Alignment with reality): FAIL. Being based on Christianity, Mormonism inherits some of the same issues. It corrects some, but also introduces some of its own. For example, Mormonism states that there are three separate divine entities, God the father, Jesus Christ and the holy spirit. They’re not three in one, as Christianity says. This doesn’t solve the issue of sacrificing one divine entity for the sins of humans while still judging them. It only adds complexity. Are these Gods equal? What if they don’t agree on something? This also goes against Judaism, which Mormonism references, and with Judaism comes the whole legacy of monotheism! Mormonism corrects the idea that salvation only depends on accepting Jesus as savior. It adds the fact that deeds play a role, which is fair.

Now let's analyze Joseph Smith, the founder of Mormonism.

• Criterion 1 (Impeccable social reputation): FAIL. Smith’s reputation was less than stellar (1). His treasure hunting profession isn’t exactly the most honest of professions. Also, eloping to marry his wife, attempting to marry already married women, escaping justice, dying in a shoot-out with the mob...
• Criterion 2 (Non-involvement rule): FAIL. He fails the non-involvement rule on many accounts. He was heavily involved with public religious activity and even magic, in a place and time where religious revivalism thrived (2).
• Criterion 3 (Sudden self-produced life direction change): FAIL. Supposedly receiving revelation in 1823 via the angel he called Moroni, didn’t surprise him, nor seemed to have much effect on his life direction. He continued treasure seeking using questionable methods and leading the same life.
• Criterion 4 (Complete devotion): PASS. Smith was extremely devoted to his cause. He never gave up until the end!
• Criterion 5 (Wide reach of message): FAIL. If Mormonism was God’s way to bring back Christianity to its rightful state, then the mission simply failed. It seems like Christianity enjoys far more universality than Mormonism. In this regard, Smith failed his mission, as most of the followers of the religion are still based where their ancestors ended up after the death of Smith.

Sources:
(1) From Wikipedia: ...Meanwhile, the Smith family faced financial hardship... Family members supplemented their meager farm income by hiring out for odd jobs and working as treasure seekers, a type of magical supernaturalism common during the period. Smith was said to have an ability to locate lost items by looking into a seer stone, which he also used in treasure hunting, including, beginning in 1825, several unsuccessful attempts to find buried treasure sponsored by Josiah Stowell, a wealthy farmer in Chenango County, New York. In 1826, Smith was brought before a Chenango County court for "glass-looking", or pretending to find lost treasure; Stowell's relatives accused Smith of tricking Stowell and faking an ability to perceive hidden treasure... Although Smith had abandoned treasure hunting, his former associates believed he had double crossed them and had taken the golden plates for himself, property they believed should be jointly shared. After they ransacked places where they believed the plates might be hidden, Smith decided to leave Palmyra
(2) From Wikipedia: The region was a hotbed of religious enthusiasm during the Second Great Awakening. Between 1817 and 1825, there were several camp meetings and revivals in the Palmyra area… Smith said that he became interested in religion by age 12… With other family members, Smith also engaged in religious folk magic, which was a relatively common practice in that time and place…

Baha'i Faith

• Criterion 1 (Living religion): PASS.
• Criterion 2 (Warning of judgement): UNKNOWN. Baha’i Faith claims to be a unification of all the major religions. The issue is that some of the religions it references speak of judgment, like Judaism, Christianity and Islam, while others don’t, like Buddhism and Hinduism. While Baha’i Faith speaks of a day of judgment, it doesn’t seem to view it in the same way. It speaks of deeds being judged, but not according to each religion’s standards, rather, according to Baha’i Faith’s standards, which I have failed to find after multiple searches. If the conditions of success and failure aren’t clear, the God of Baha’i Faith cannot possibly be fair. I’ll mark this as unknown, but it’s actually closer to a failure.
• Criterion 3 (Universality): FAIL. In theory, Baha’i Faith should be universal, as it calls for the unification of all the major religions. It attempts to please everyone, but even while doing so, its numbers remain low, and is mostly unknown.
• Criterion 4 (Past reference): FAIL. Baha’i Faith references all major religions, but not as past instances of communication. It essentially claims that there is only one religion, and that the major religions were manifestations of God, but don’t necessarily represent said unique religion correctly. It references all major religions only to change their core beliefs in order to achieve unification. Said another way, this One God, has left people to be duped by false religions since the start, and only thanks to Baháʼu'lláh in the 1800s, did he think to show the truth to people. What about those who died long before Baháʼu'lláh was even born, and who followed Buddhism for example without ever believing a God existed?
• Criterion 5 (Alignment with reality): FAIL. This is a big failure. Baha’i Faith doesn’t make much sense, to the point of being revolting, to me at least! It attempts to be everything to everyone. Its founder claims to be Christ returned for Christians, the second coming of Jesus for Sunni Muslims, the Imam Husayn for Shi’a Muslims, the reincarnation of Krishna for Hindus, and the fifth Buddha for Buddhists. Never mind what each one of these symbols means in the context of its own religion, it just takes the concept and runs with it. It disregards most of what is associated with these symbols, it only needs its acknowledged existence. Let’s not forget that most of these religions do not agree with each other! It attempts to reconcile worldviews that are incompatible with each other. It picks and chooses what it wants from each major religion and disregards the rest.

Now let's analyze Baháʼu'lláh, the founder of Baha'i Faith.

• Criterion 1 (Impeccable social reputation): PASS. Coming from a wealthy family, he was known to give considerable amounts of time and money to charity.
• Criterion 2 (Non-involvement rule): FAIL. The founder of Baha’i Faith, Baháʼu'lláh, as well as the founder of Bábism, Siyyid Ali Muhammad, known as the Báb, and who laid the foundation for Baha’i Faith, both fail the non-involvement rule. They were both heavily involved in public religious matters before and at the time of their claims (1) (2). We are not talking about regular religious people going about their day, then making an exceptional claim out of nowhere, no! It’s practically the same scenario every time: a person is deeply involved with religious matters, or actively pursuing a profession or an interest, which leads them either by opportunity or by delusion to their claim. It’s the same here!
• Criterion 3 (Sudden self-produced life direction change): FAIL. Baháʼu'lláh had already set the course of his life and was already deeply involved in religious matters before he supposedly received his first divine revelation, which was in prison. From then on, not much had changed.
• Criterion 4 (Complete devotion): PASS. He stood by his claim and spent most of his life in prison. It’s important to note though that he wasn’t initially imprisoned because of his claim. Rather, it was because of his involvement with Bábism.
• Criterion 5 (Wide reach of message): FAIL. If Baháʼu'lláh was sent by the one and only God in order to unify all major religions, such unification hasn’t happened successfully.

It's highly unlikely that Baha'i Faith is a communication from a judging and fair God.
Sources:
(1) From Wikipedia: Some of his earlier writings suggest that he did not enjoy the business and instead applied himself to the study of religious literature… He was constantly absorbed in his own thoughts, and was preoccupied with repetition of his prayers and verses… In 1841 the Báb went on pilgrimage to Iraq, and for seven months stayed mostly in and around Karbala. There he attended lectures of Kazim Rashti and became his follower… As of his death in December 1843, Kazim Rashti counseled his followers to leave their homes to seek the Mahdi, who, according to his prophecies, would soon appear. One of these followers, Mullá Husayn, after keeping vigil for 40 days in a mosque, traveled to Shiraz, where he met the Báb…
(2) From Wikipedia: Soon after declaring his spiritual mission to Mullá Husayn, the Báb sent him to Tehran to deliver a special tablet to one whom God would guide him to. After learning about Baháʼu'lláh through an acquaintance, Mullá Husayn felt compelled to arrange for Baháʼu'lláh to receive the tablet—this news brought great joy to the Báb when Mullá Husayn wrote to him about it…

Summary

After analyzing all the religions, the ones that are highly likely to be communications from a judging and fair God if one exists, are Judaism, Christianity and Islam. They are the only religions that satisfy most of the criteria. In fact, their founders are the ONLY ones who satisfy all the criteria, specifically the criterion of non-involvement prior to their claim of a contact with a God. All the other founders were involved in one way or another, making their claim a possible result of either fraud or delusion.
It is important to note though: we haven't proven that a judging and fair God exists, and we haven't proven that these religions are actually communications from him, not at all. All we did was to reasonably prove that if a judging and fair God exists, then Judaism, Christianity and Islam are highly likely to be communications from him.
In the next post, we will continue our research and see how we can reasonably prove that a judging and fair God exists.
Until next time!

So something weird has been happening with me recently. I get phone calls from my friends and when I pick it up, they said that I called him, but on my phone it showed that they called me. Then we check phone logs and it shows “incoming calls” for the both of the phones.
On one of the calls, I saw a random number pop up on my phone. I picked it up and it was my friend and afterwards, I checked the phone log and it showed my friends contact, which is a different area code that initially showed up on my phone.
What’s going on? Are these spoofed calls? What should I do about this?

The 3 basic parameters of hashtag #Valzubiriagenda:

1. We artists and everyone else can write and self-publish art- and artist-related books: memoirs, biographies, art books and art catalogs. Books are forever. Pamphlets and brochures are not books.
2. We announce a schedule of increasing prices of our art pieces, which includes quantities (scarcity numbers) per price point and overall (the total quantity of art pieces we might ever make). This helps art traders, art investors and art collectors speculate or even stop speculating and instead join a community of investors working together to hopefully skyrocket to the higher announced prices in a shorter span of time.
3. We can use the NFT world, because NFTs provide the tracking (who owns what) and trading.

We can also not be involved with NFTs. Stores and individuals can help sell art using online presence and our catalogs in the stores. If this trends, or once this trends, even expensive art can be sold by neighboring businesses, without exclusivity. Commission systems do not have to be standardized. Art investors can produce their own catalogs to leave at the cafés. Even the cafés can produce their own catalogs.
Valzubiriagenda NFTs
NFTs only came about a few years ago. But I had been working on this since the 1990s. I wrote a book, Valzubiriagenda, along with fellow artist Silverio Perez, and released it in 2018 (Amazon and elsewhere), tackling everything related to #1 & #2. We'll come up with #3 in a later book/ memoi marketing book.
Any artist, including tangible artists can release 10,000 NFTs if the artist chooses to do so. For tangible artists, the NFT first becomes an Art Commission Contract for sight unseen, yet-to-be made art. Once the art is made, the NFT becomes proof of ownership that the actual, tangible art is theirs.
Warehousing our tangible art
Another related idea is that the tangible art may be warehoused by the artist so that the NFT traders continue to trade. This means that even 10-ton 10-foot tall sculptures can be owned and traded by anyone without worrying about shipping, reshipping, scratches, smudges, parts breaking off, etc. The newness of the pieces remain because they are stored by the artist, source, gallery, etc. The art piece gets shipped to the art collector, the ultimate owner.
An artist who makes ceramic coffee mugs - smaller art pieces, can release 10,000 NFTs with a schedule of increasing prices so that NFT traders can trade immediately. The 10,000 coffee mugs can get damaged, so as they are made, they continue to be stored by the artist, until the time when art collectors decide to have the art pieces shipped to them.
Why only now?
I decided to write as many book-length memoirs as I can before I came out to promote this.
I'm an artist and an author. Both need time to "master." I would not even fully use "master" on myself, because there's always something new, even to my own art, my own writing and publishing.

I am now claiming that I'm the visual artist who has produced the most artist memoirs in the world. I have 5 on Amazon. I count Valzubiriagenda as both a marketing book and a memoir-of-sorts, because it has a lot of my own life lessons on writing and publishing. I would not care to contest my claim of having the most memoirs. I will release 5 more over the next 3 years.

BARTER! Get help to write, photograph art and publish your books!
Anyone can hire 11 ghostwriters for 11 memoirs. If you can make art, but you cannot write, then barter your forever art with those who can help you produce forever books.
I don't feel the pressure of writing and publishing because I feel my focus should be on art students and art experts who would study my art and my books 100 years from now. Don't expect relatives and friends to read your books.
I call myself the Dollman
For my NFTs, I am proposing to make dioramas - my original, costumed, bejeweled porcelain dolls in backdrops that will also have precious metals and gemstones. This way I can incorporate precious metals and gemstones in my work, to make sure that people perceive my art as expensive, just in case I myself don't become "famous" - there's no need to get world famous. We are artists and all we need to do is to satisfy the art niche.
Use your laptop now!
I will encourage you to start writing your book-length memoir. Write, Edit and then Self-publish it. Get help. Why wait a hundred years for someone to write about you when all you need is a laptop and a nearby coffee shop.
Don't start counting chickens before the eggs hatch. I have encountered a lot of would-be writers who immediately see themselves as bestselling. world famous assets to society. Two even wanted me to sign NDAs (Nondisclosure agreements), because they did not want me to steal their book ideas.
Here's a suggestion. I would not personally do it. From one manuscript can come 2 books: The Original Draft (unedited, with misspellings, considered to be an art piece, scanned pages(?) of your handwritten original effort), and The Final Edition (edited).
PROVENANCE!
Another way to enhance our investability, tradability and collectability is PROVENANCE - how art ownership proceeds through time. The way this can be done is also through publishing books. Everyone can write their memoirs, biographies, art books and art catalogs, including traders, investors and art collectors. In effect, we artists can continue to be included or mentioned in even more books, without any additional effort by us.
You as an investor, reseller, trader, art collector should be able to publish a catalog with 250 works by 250 different artists, but they need to agree to this right from the start - it's your money, you should require them to follow your version of the hashtag #valzubiriagenda parameters, which preferably should include permission for you to publish their art. Why would you track down 250 artists later?
No exclusive contracts
If you're a café, you can call for artists, and come up with a book with for example, 30 artists, with a chapter devoted to each artist's profile and images of the artist's art.
You can distribute your catalogs to businesses and individuals near and far and online.
The book Valzubiriagenda even cites that funeral homes and janitors closets can sell art, with or without exclusivity. Airline catalogs can include million dollar art pieces. Car manufacturers, showrooms and even car repair shops can sell art as well. Everyone should be able to do this, anywhere in the world, especially not just because of the pandemic, but right now, we are in really bad economies.
What's with the name #Valzubiriagenda
I was into conspiracy theories in 2018, and this term, "The Mandela Effect," was popular. I had read many times that an artist coined the term, but I had to research online, for her name, many times, before remembering it. I'm not good at remembering names. It took me a year and a half to finally tell you that Fiona Broome coined "The Mandela Effect."
I also thought I might have to research trademarks and copyrights just to come up with a generic name. So I decided on "Valzubiriagenda." I was not really sure at first, but I decided to use it as the title for my book (with co-authoartist Silverio Perez) so that there would be no turning back and I can move on.
Am I a FUTURIST?
Someone I recently met this May 2022 just called me a futurist.
In the 1990s, I proposed to a pension fund that they can raise billions of dollars, especially for emergencies, or as needed, or out of desperation, if the pension fund purchases a quantity of art from an artist who not only has a current, reasonable price, but an announced future price that the artist wants to reach.
That future price would obviously be higher than the current price. The art commission contract for multiple art pieces can be taken to the fund's financial lender for a loan. The higher future price can be used for financing purposes.
The pension fund's treasurer, a publicly elected official, said this idea might work, but we had to keep this a secret and discuss this some more, because other pension funds might copy and do this prematurely. This idea had to come from the two of us. The treasurer needed his votes and I needed credentials.
Added into the pot was my idea that I, as the artist, will also write one book-length artist memoir. This was and still is a strong factor, because the leadership and marketing books I had read then mentioned a strong tip. If you want to advance in your field, write a full-length book that is related to the field.
Unfortunately, the elected official, the treasurer of the pension fund, who was also a friend, passed away - he was old and had ailments. At that point in time, I cannot just approach another pension fund treasurer to share this idea with.
I realized I had to write a few memoirs. I needed to set an example for other artists, so I needed to write more than one memoir. Then I felt I should also make ready another book - the how-to of what I'm up to. I wrote Valzubiriagenda, which was a memoir of sorts. I knew how long it would take me to write a book, so I had to make sure I can also consider this book a memoir.
In 2008, I imagined that someone like Bernie Madoff, or a fund like Lehman Brothers, would be desperate enough to use this to save themselves and their companies. I was not ready. I had only written 1 manuscript for a memoir.
In 2012, I released Dollman the Musical, A Memoir of an Artist as a Dollmaker. Once again, I was not ready because writing it depressed me a little, and I knew I had to write more.
In 2014, I released 3 memoirs, and re-released Dollman the Musical. Besides releasing regular books, I released special editions of the 4 books, which had a "Special Secret Insert for Bankers," which explains my ideas of an announced schedule of exponentially increasing prices, to satisfy investors, and the publication of artist memoirs, to satisfy art collectors.
In 2014, I also issued out a press release. Google "Can Billion Dollar Artist Save Investors and World Economy Valentino Zubiri PRWeb August 19 2014" and you will see the press release.
What I did was stake a claim on my ideas. I did not promote my books and the press release. I just wanted them to stay online, like a sleeping giant or a dormant volcano. I even designed 3 of the book covers to look like indie books from the 1980s. I was planting the seeds, thinking they will eventually grow and bear fruit in the future.
In 2015, I was interviewed by Richard Syrett, about one of my memoirs, Hocus Pocus Lately. This book is my memoir with paranormal stories. I could have pursued promoting my paranormal stories, but I wanted to be known first as a visual artist and memoirist, so I allowed myself one interview related to Hocus Pocus Lately. Richard Syrett has(had?) his own syndicated radio show, The Conspiracy Show with Richard Syrett, about the paranormal. He also guest hosts on Coast to Coast AM, another internationally syndicated show about the paranormal.
In 2018, I released Valzubiriagenda (co-authored by artist Silverio Perez, a fellow artist). Finally, this book is "the how-to of what I'm to."
I'm going to end this with some strangeness. In 1986, a lady at a religious gathering went into a trance and left a good number of messages. Supposedly, anyone who got into a trance would have messages, but once the trance was over, the person would not remember what was said.
I was not part of the group, but the lady turned her head to face me. She "foretold" that whatever I would decide to do in the future, it will take time, but it will be the right thing. This is one of my stories in one of my memoirs, Hocus Pocus Lately.
The Tulipmania of 1634-37
I discovered that there was this incident of rare tulips becoming collectible during the Dutch Golden Age. There were tulips so rare and so well-desired that their prices equaled to that of a house. You can read more about this online (Wikipedia) or watch a few YouTube videos about it.
Here is the most useful idea that I gleaned from the Tulipmania. The tulip bulbs remained safe inside nurseries. The traders were carrying the deeds of ownership to the tulip bulbs.
Then NFTs came to the forefront
I started learning PHP, an HTML scripting language, and MySQL, the database that PHP can connect to in the background, in 1999, when there were only 3 books about PHP and MySQL at the bookstores.
By 2014, I was trying to figure out how to make the "ledger," or database that can be used to update ownership and who can be contacted. If we are trading art, then the art ownership should be updated.
Then NFTs came about. This can be used as our ledger. Everyone can immediately trade NFTs of future, yet-to-be made art pieces, especially because it takes time to make tangible art.
NFTs actually went a step ahead, by allowing digital art to be traded.
The only setback with NFTs, in my opinion, is that it still lacks a commission system for resellers and representatives.
For example, if a café wants to represent me, then they can promote me at their café and on their online pages. If I make one piece of art that will be exclusively represented by a gallery, then that commission will be different and more specific. As ownership is transferred, the subsequent owners should be able to reset the commission. We should also have the option of giving commissions to hundreds of representatives at one time with different percentages if need be.
The recent crypto crash
Lately, we have observed that NFTs and cryptocurrencies have been behaving like the stock market and other markets. They have been fluctuating.
I believe that it is time for a trend which discourages fluctuation of prices.
I have also seen YouTube videos where social influencers are encouraging us to be on the lookout for exponentially profitable ventures, because we have all seen this happen with the exponential increase of Bitcoin and Ethereum.
Let's see if #Valzubiriagenda trends
We can announce present and future art prices. The galleries won't do this (yet?) because they follow a more traditional approach to the business of art.
We have a choice of using incrementally or exponentially increasing prices. We still reserve the right to change things in the future, so everyone should know to follow the latest update.
If this trends, if you as an artist simply announces that you will write an artist memoir, or that you will include the future works in future art books, you might have more art traders, investors and collectors approaching you.
Get your pen, paper and calculator
Imagine yourself as an artist, where you are right now. Let's just say you still do not have a book about yourself and your art yet. Imagine now that you have a memoir out there. Don't you think it makes sense to charge more than what you are charging now? Writing and publishing books is just the beginning. I'm just standardizing this approach. The books also say to do other related projects. In my case, getting Dollman the Musical onstage is one idea. You will have other related projects, but the publication of memoirs, biographies, art books and art catalogs will help all of us.
You can also imagine that a law firm that has meeting rooms, with someone who wants to form a local #valzubiriagenda group, can have meetings. A local café can do the same. Local photographers for your art, writers, editors, book designers, proofreaders and others can join in.
I suggest have printed books to share. 15 copies of your memoir or art books will be better than an e-reader or laptop or your phone to show. These gadgets can be stolen, sabotaged, broken, have coffee spilled on them, etc. 15 printed books means simultaneously showing to 15 people. You can even give them away to potential resellers, investors, traders and collectors.
When it rains, it pours, as in the days of Noah
There's a saying, "When it rains, it pours." There is a negative interpretation and a positive interpretation.
Negative: When trouble comes, they cascade to even more.
Positive: When opportunity comes knocking, more follow suit. We can assume that if one gets our art because of #valzubiriagenda, more want to do it now, because of the rising prices, and FOMO - fear of missing out. What will they lose if they miss the boat?
As I have said earlier, if the #valzubiriagenda trends, if you announce a future memoir or art catalog, you might have an increase of investors, traders and art collectors who would want to check you out. You might encourage more sales. Just remember to write and publish that memoir and art catalog.
There's this saying, "As in the days of Noah." Imagine Noah, building his ark, with members of his own family, putting all his time and effort into it. Noah was a nice guy. I'm sure every once in a while a neighbor offered him coffee, or chai latte, or whatever refreshing drink they might have back then.
Here's the lesson to be learned. Just because they offered him some type of bubble tea drink, or coca cola, they still didn't make it to the ark. Rubbing shoulders with actors does not make you an actor. I have told my artist friends to write their memoirs. They told me that once they see me succeed, after all these many years of seeing my seemingly useless efforts, then they will write their memoirs and follow the road that I had paved for them.
Good luck to them, but if I were you, act now, get my art or make art. Support the 5-year old artist whose parent promised to release a comprehensive art catalog. If you get that 5-year old's art, and mine, I would be honored to be in the same art catalog that you will produce. I'm already successful at that point. You have gotten the mission just right.
I have already claimed to have written the most book-length artist memoirs in the world. Dethrone that claim. Barter. Use ghostwriters. Success to me means facing God one day and saying, I wrote my memoirs and left the world a legacy of books and art. I will not tell God, smiling and proudly, that I encouraged a run for my art by announcing a schedule of exponentially increasing prices that reached 9 figures. I'm sure God knows we had fun.

JOIN THIS GROUP

If you want to try out #valzubiriagenda, in any capacity, join this group. Let others know about this group as well.
If you are an artist, you can let everyone know here that you will produce your memoir, art catalogs, etc. It's okay if you don't know how to go about publishing yet, I will discuss this. Please be honorable enough to produce what you promise to produce.
If you want to meet fellow artists, investors, resellers, etc., join us here.
If you are a book writer, editor, proofreader; if you can photograph art pieces; if you are a book designer, etc., join us here. Let us know if you charge, barter for art, or both.
If you have your own tips and knowledge to share, join us here.
If you have underaged artists you are managing (parents, etc.) join us here.
Join this group if you want to sell works. Post your works. You web links. I'm sure I will.
You can announce meetings in your area. You might have meeting rooms, a café, restaurant, etc. where people can meet. In the future, you can have the regular show and tell, where books can be shown and shared.
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Thanks for reading. Please let me know if I need to edit some parts. Please share and join this group. - Valentino Zubiri, Dollman, Artist, Memoirist
Underaged artists are welcome here, so please be mindful of your language. We cannot post your adult-oriented art pieces, but you can direct us to a separate page or community. There will be limits to your posts, and there will be adult-oriented art that we cannot allow to be posted.
Thanks for reading. Please let me know if I need to edit some parts. Please share and join this group. - Valentino Zubiri, Dollman, artist & memoirist

Hi there and TIA in advance for any help. I am in the state of Texas and have been for this whole ordeal.
This is really embarrassing but at least 10 years ago I took out a payday loan online and didn’t pay it back. I had my bank block the transactions. For a few years I got some phone calls but ignored them. I was in a really bad place and only vaguely remember the details of what I signed up for.
Anyway, so I just received a letter in the mail from Vanguard Legal Group out of Columbus, OH entitled “Notification of Lawsuit and Civil Complaint” where I am listed as a “respondent”. The amount they claim that I owe is $1,623.73. They say they are looking to sue me for NSF fraud. (Yikes)
However, I am in Texas and am somewhat familiar with the debt laws here and it’s my understanding that there is a 4 year statute of limitations on judgments and lawsuits for debt. Is there a loophole I am not aware of? I have not made any contact or paid a dime on that in at least 9 years.
They listed where I worked at the time and said they reserve the right to supena 2 relatives listed by their first names in the letter should they file suit.
At the bottom it says if I don’t pay by June 9, “a final determination to take legal action will be made on your due date should your payment not be received by our office, and after which time we have thoroughly reviewed your file to ensure any legal proceedings are in accordance with state law”. They also list my (now good) credit score and says it’s their intent to make a hard pull on my credit during the process. That doesn’t seem quite legal either.
Are they just trying to scare me into paying? Are they going to be able to send a process server for this long ago?
I could pay my debt in full and know that is the morally right thing to do, but I have expenses that I’d rather cover first.
Please let me know if anyone has any experience with this or knowledge of what would happen if I ignore this. Let me know if you need more info. Thank you!

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Intro

To preface this review, I just need to say that this is going to be a very, long read. Going through it myself just for the fun of it takes around 30 minutes — it's almost 7k words of text, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this review, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in Talk that Talk and Trouble. Each song review will compose of my commentary going over the song, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very emotional about something. Anyway, onto the review!
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Between 1&2 💞

Album Review
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TELL ME WHAT YOU WANT
TELL ME WHAT YOU NEED
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Talk that Talk 🎙

Lead producer: collapsedone
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One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like… Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the Yes or Yes, Push & Pull, and 1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,
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Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that talk ttak han madi
Talk that talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~

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During Sana's Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling L-O-V-E, concluding with the deullyeojweo ooh! Oh my Jihyo the deullyeojweo ooh…
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, enunciating and holding that now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man, Jihyo powered through that first chorus, but the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that stands out and shouts this is THE chorus. I think this is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [Tell me] WHAT YOU WANT to full-send it. She also highlights “malhaebwa” in a similar way later in the chorus.
Another deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,
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The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you

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The word “love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery “Talk that Talk”, Momo comes out of nowhere with “oh yeah it sounds so good!” — you’re damn right it does, and this is where the song SOARS.
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han beon deo~ haejweo
geurae banggeum geu mal~

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Nayeon outright shouts “Tell me what you need” and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second line descends, causing a lull in the song before the finale with Nayeon, finishing off the song with the final deullyeojweo ooh! What a party. What a song.
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THE GOOD

• The synths of all time
• The chimes during Talk-that-talk~
• Jeongyeon’s pre-chorus going into Nayeon’s chorus
• The entirety of that magical, final chorus and outro

Needs Work

• The opening hook (Tell me what you want) and accompanying choreography could be “catchier”

Core Memory

• Singing (and dancing) my heart out when this song played at a K-pop club

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Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go ooh ahh. Years later, they started pondering “What is love?” and imagining their crush responding with “yes” when asking them out — and now concluding with the phrase “Talk that talk, [talk that] L-O-V-E”, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the production. This is the third draft I’m writing about Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to, TTT is an easy 10/10.
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WATCH ME GO WATCH ME GO
RULE THE WORLD
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Queen of Hearts 👑

Lead producer: LDN Noise of SM
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If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic, Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,
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You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~

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Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.
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Baby I was born to rule~~
Yeah I’m the queen, I’m the queen
And it’s all because of you~~
That I’m the Queen of Hearts

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These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always, always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line "And it’s all because of you." But Mina shows more sides of it in the second verse, especially with the phrase,
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And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls

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It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours
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Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]

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This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like Talk that Talk, Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centrepiece in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.
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So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts

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I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.
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THE GOOD

• Adorable fucking lyrics
• Unrelenting, roaring chorus
• English and vocal flex
• Addicting guitar riffs

Needs Work

• Chaeyoung rapping in English in their Korean songs somehow slaps harder than her English rapping in their English songs, nonetheless, in QoH, it fits with the sound of the song

Life Highlight

• Walking home from a K-pop festival with this song playing, felt like a Queen of Hearts

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I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.
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I WANNA WANNA WANNA
TAKE YOU TO THE BASICS
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Basics 🌈

Sole lyricist credit: Chaeyoung
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Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky Handle It — Basics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,
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dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo

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Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line "rainbow bubblegum" is so adorable and so Chaeyoung.
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I wanna wanna wanna take it to the basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah

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That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible: the “wanna”, “weonhae”, and “ppeonhae” all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very Boy With Luv-sounding “ah yeah ah yeah, ah yeah ah yeah” comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.
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taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende

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Translating to:
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Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously

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The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.
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THE GOOD

• That sweet summer vibe of a chorus
• The “spaceship” post-chorus is killer
• Chaeyoung devoured this song
• Sure-footed, confident lyrics

Needs Work

• Perhaps an alteration of that ah yeah ah yeah line
• The way Jihyo did her pre-chorus line is good, but Mina’s is great

Core Memory

• After donating my hair, walking down the rainbow-coloured areas of downtown Toronto with this song playing was very… fitting

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This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning “spaceship” post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.
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BABY WE’RE IN
TROUBLE TROUBLE
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Trouble 💃

Sole lyricist credit: Jihyo
Background vocals: Jihyo
Lead composer credit: Jihyo
Vocal director credit: Jihyo (an assumption given her contributions in First Time)
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One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces “Let’s go”, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasted with Jeongyeon's staccato flow, the wobbly synth beat with sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,
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• Nayeon opens it using a breathy tone, with vocal chops serving as harmonies
• The blooming of the house piano takes centre stage and the song ascends into euphoria
• A random drum roll capped off by a cymbal crash
• Jeongyeon’s pronunciation of the word “trouble” almost being a growl
• Chaeyoung slyly admitting “I like this trouble”
• The entirety of Tzuyu’s tro~oh~oh~ouble yeah~
• Sana using her deep voice for the na~na~na~na
• Jihyo leading the vocals during the synchronized T W I C E chant

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This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.
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gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake

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During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:
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You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss

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Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:
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Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet

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Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for “cannot miss this” in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼
Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:
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Woo wee woo wee woo
I like this trouble be-be
Woo wee woo wee woo
I like this trouble bay-be
Woo wee woo wee woo
I like this trouble bay-beh
Woo wee woo wee woo
I like this trou-ble

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Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.
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THE GOOD

• The theme of relishing in an uncontrolled love
• Sana and Mina’s melody in the pre-chorus
• Chorus
• Rap
• Outro
• Wees and woos

Needs Work

• Mina’s line of “falling down, falling down, falling down low” in verse 2 feels a bit too abrupt of a change

Core Memory

• While writing Trouble's review I had this song on repeat for my whole subway commute and I must've been so distracting, just head-bopping and being so invested in enjoying a song

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Need I say more, easy 9/10. The only reason I place Talk that Talk above Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since TT was birthed in 2016, and has been a staple of their discography since 2019’s Fancy You and Feel Special mini albums, but Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.
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BRAVE BRAVE BRAVE
FOR YOU
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Brave 💖

Main producer: Slow Rabbit of HYBE
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I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic oohs from the members — this song is PRETTY.
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The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe

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Mina and Chaeyoung open the song with how they feel lonely and that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to be this emotional. Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them 'brave' that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of this chorus acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:
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Oh na na na neon nal naige hae [Momo, then Tzuyu, then Momo]
On and on and on
Brave brave brave for ya [Dahyun, then Chaeyoung, then Mina]
Oh na na na neon nal sum shwige hae [Sana, then Momo, then Sana]
On and on and on oh trust me babe

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Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.
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THE GOOD

• Special lyrics
• Pleasant sound to vibe out to
• That gentle break after the first chorus
• Jihyo’s high note at the end
• A Nayeon Jeongyeon joint high note ⁉️
• Just pretty vocals throughout

Needs Work

• Potentially hard to comprehend without translating the Korean lyrics

Core Memory

• Form of Therapy’s life motto revolves around the word “brave”. I don’t know where I got that from, but I remembered it right before watching his album reaction

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I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with Young & Wild, Rainbow, Queen, Go Hard, Depend on You, even this album's Queen of Hearts, and, of course, Feel Special. Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:

• 7/10s are songs are ones that are simply good throughout or great songs with apparent flaws
• 8/10s are great songs with standout characteristics
• 9/10s are borderline perfect songs where I sometimes can't comprehend how great they are
• And 10/10s are the best of an artist's discography, songs that encapsulate their ethos perfectly or expand upon them in a meaningful way

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I SEE THE LIES
ON THE TIP OF YOUR TONGUE
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Gone 💨

Sole lyricist credit: Dahyun
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Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then, Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…
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I see the LIES on the top of your tongue

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The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,
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All the fate I had towards you
Fades like a fog, gone, gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases

​
The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s Bring It Back, 2021’s Cruel, 2022’s That’s all I’m saying, and even 2023's Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s gone through a dozen bad relationships. Dispatch, do your job better, or don't.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:
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I can’t stand it anymore [Dahyun]
My patience, invisible
I can’t find it, it’s all gone
Even if I try to turn back, it’s too late [Chaeyoung]
There’s no use anymore
It has left, it’s long gone
You, with flipping mind, you are out [Momo]
I know that you know what I’m talking about [Dahyun]
Nothing you could say that could turn this around
I’m gone

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Continuing the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what was once there for all of it is long gone. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the “gone” in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.
​
THE GOOD

• They’ve still got their surprises
• Thundering chorus
• 2nd rap and bridge combo
• A bitter, crumbling relationship theme

Needs Work

• I’m not a huge fan of the mixing during the first post-chorus, where Momo's vocals were fighting with the production, which is disappointing because Momo is capable of an insane flow
• The post-chorus in general, specifically the first one, can be a bit tiring on repeat listens

Core Memory

• Actually, I think this song sounds like a mix between GOT7's Not By The Moon, BLACKPINK’s Love To Hate Me, and Dahyun’s Bring It Back. I don’t know where I got this thought came from, but it stuck

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Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song when I listen to it for the first time in a while elevates it to an 8/10. Keep on breaking hearts, Dubu.
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INVINCIBLE
SUPERHEROES
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When We Were Kids 🧸

Sole lyricist credit: Dahyun
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Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in,
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Invincible superheroes, we wanted to be adults
To the higher, clearer world

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The chords start swelling, the high hat keeps pace, and the harmonies come in,
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Remember when we were kids
When we were kids, we didn’t know
If we could go back
I will love it even more
Remember when we were kids

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Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount of Jeongyeon vocals in this album. Her voice is so clean, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:
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I wish that I could meet
Could meet the younger me

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Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:
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Oh, we were kids

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Reflection, acceptance, hope. What a song.
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THE GOOD

• Heavenly vocals throughout
• Relatable, heartfelt lyrics
• Euphoric chorus
• Great closer to the album

Needs Work

• Refrain after the last chorus, "Back when we were kids," could’ve been executed better

Core Memory

• For an album titled Between 1&2, I don’t think anything hits harder than finishing the song reviews, with this song in particular, during your 21st birthday

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I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original marketing was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was always about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between TTT and WWWK, I'd give it to the one's that's more repeatable — Talk that Talk just has this electric energy about it.
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Epilogue

And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey. Brave hit me harder this time, after being overshadowed by the other gems of this album, and WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of TTT to the anthemic euphoria of QoH, the clubbing dichotomy of Trouble and Brave to the blissful glee of Basics, and the sweet reminiscence of WWWK to the thundering anger that is Gone. Like Eyes wide open, I liken Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop, music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and Eyes wide open frankly also deserved the spotlight that Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July. QoH was as glorious as expected, Brave was a delightful surprise, and WWWK, while not being the concert closer everyone expected it to be, paired up nicely with Crazy Stupid Love. And of course the bombastic addition of the dance break to TTT. But, this is not a concert review, and this is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.

This morning I woke up to an email that was informing me of my next steps to applying for a concealed carry permit in NH. However, this was not me. I live in WA, know nothing about guns and never want to touch one.
This email had my real name and was sent to my correct email address. The email had a NH police department address listed so I searched the address, saw that it was real and called their phone number. I explained the situation and they transferred me to their gun department, which is closed on weekends but I left them a voice message and asked them to call me back.
After this, I got a phone call from my bank. My card info was stolen and there were fraudulent charges, one of which being an online payment to this conceal carry application. I got that sorted with my bank, card is frozen and transactions shouldn't go through.
After this I checked my email again to find I had two more emails regarding the conceal carry application. These two emails had some red flags to me.
The first was an email stating to forward it to whomever "I" had gifted a second concealed carry permit to. Now, I know nothing about guns, and I know the US is pretty relaxed about gun laws, but I don't think you can just gift someone a permit.
The second email was more of a promotional email about the company, YouCCW. In this email they state that they are fast at getting permits and "avoid government agencies and police stations". Again, I know nothing about guns, but I'm pretty sure in order to get licensed you have to go through government and/or police agencies.
So I search up the company, and they appear to be running a scam in which people pay a couple hundred dollars for a "permit" that's not actually legal. So whoever has stolen my card info attempted to get a conceal carry permit illegally.
I want to add that I have not clicked on any of the links in any of the emails I received, and do not plan to, just in case it is a phishing scheme.
My question is, what next steps should I take to ensure that my identity is protected and that there is nothing regarding guns, legally or illegally, attached to my name? Can the NH police department even do anything if the person who stole my identity didn't go through them to get the permit? Should I contact the police from my own state?
Any help would be appreciated, thank you.

Last night, I had just returned from a celebration of my sisters 21st birthday, I am 27, so me and my parents and several of her friends went to the bar, we stayed until almost closing, I had driven one of my cars to the bar, but was a bit over the limit okay, I was too drunk to drive, so I called for a Uber to drive me and my sister home. My parents left at 1am, as they were still sober. I had the driver drop off my sister first, after carrying her into her apartment, then we headed to my house. As soon as we turned the corner, I could see my other car missing from my driveway. I got out and I was mad as hell, I looked but there was no broken glass or any signs of how it was taken. I walked into my house, I immediately sobered up with the realization my car had been stolen. I started the search for the license plate number, vin number and my insurance company phone number. I was on the phone with the police when there was a knock, no let me rephrase that, there was banging on my front door. When I open it, 2 police officers were standing there, I said wow, that was quick, they looked at me funny, asked if I owned a 2014 jeep in black, I replied, yes did you find it already. They just looked at me and told me to place my hands behind my back, I said why, they didn’t say anything and just grabbed me and then threw me to the ground and handcuffed me. I was dragged out of my house and placed into the back of a patrol car and taken to the station.
At the station I was fingerprinted, photographed, searched and my blood was drawn, then they took my shoes and belt. I was placed into a cell, while all the time asking what the hell was going on, 3 hours later I was taken from the cell into an interrogation room, I sat there for about another 4 hours before anyone came in, all this time I was not allowed to call or speak to anyone, I still had no idea why the had me like this.
Finally, a detective came in and sat across from me and once again asked if I owned a black 2014 jeep, then he gave me the license number, I said yes, it was missing from my driveway, I was in the process of calling the police when they showed up. He said we will get to that later. He started asking where I had been last night, I told him at a celebration for my sister’s birthday, he asked who was there with me, I gave everyone’s names and as many phone numbers as I could. I said I wanted to know what the hell was going on, he said that I was under arrest for vehicular manslaughter, hit and run, leaving the scene of a crime, and a few more just for good measure. I said again my car was stolen and I had nothing to do with this at all. They pulled out pictures of the accident and the dead bodies, yes there were 3 teens killed from the other car.
I said I wasn’t driving that car; they could verify by contacting the bar, I spoke with the bartender all night, I had even spoke with the bouncer while I was waiting for my Uber. They could also call Uber to confirm I was being driven from that bar and the times. They didn’t believe me at all, they took me back to a cell. This is where I sat for another 7 hours waiting for anything from them. Now I have been in their custody for more than 16 hours.
That’s when they took me from my cell, returned all my belongings, then I was escorted back to the interrogation room this time without cuffs, the detective came back in and he placed a picture in front of me, asked if I knew this person. I did, he was a kid from down the street, I had caught him siphoning gas from one of my cars a few months ago. They told me they found him hiding behind a trash bin close to the accident, he had a broken collar bone and a couple broken ribs. This was the person who stole my car and crashed it into the other car while on a joy ride. They basically told me I was free to go, no apology, no shaking of my hand, just a cold uncaring sense as to what they had just done to me over the past 18 hours of my life. They walked me to the jail gate, and said here’s the case number, I asked If they were going to drive me back home, they said no, it was up to me to find my own transportation. Luckily my car was still at the bar I was at the night before, it was only about a mile away, so I walked, got my car and drove home. I called the insurance company, gave them all the information as well as the case number and I went to sleep. I know there will be more but that is as far as everything stands as of right now.

Hey there folks. Just had an interesting couple of days.
Started at work. I was taking a call and reading out a phone number when suddenly I just kinda…forgot how to make words? I saw numbers and was reading them out, but I wasn’t. I was speaking gibberish. I thought I was having a stroke and this led to a panic attack and, long story short, I’m taken to the ER and given a cat scan.
At first the doctors and I were all pretty convinced my blood sugar was just low, but then they have the results of the cat scan and give me the news about the new “friend” I have in my skull, and that it’s either an acoustic neuroma or a meningioma. They don’t know which yet.
So I’m very scared, and I’m sure you all relate.
I’m thinking an acoustic neuroma is the most likely culprit though. Since it’s slow growing it may actually have started the year I graduated high school (I’m 33 now.) The very week of the big ceremony I had sudden and aggressive vertigo, I couldn’t even tilt my head without throwing up. We never found out what the cause was, maybe now we have.
What do you guys think? Any other tips for dealing with this?

Hey guys, Im starting a new business, and I would like to know something. I have a physical SIM card in my phone Can I add a eSim and have 2 numbers in my iPhone 11? I can't find anything conclusive on the internet.
Anyone here ever done this or know if its possible??

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PRODUCTS	PRICE/DETAILS
Windows 11 & 10 Keys	$3.5 - Win11 or 10 Pro & Home (Pro upgrades Home to Pro and Activates)
Office 2021 Pro Plus Keys	$3 (Phone activation), $5 (Online Activation), $10 Bind Key(Binds to your email)
Office 2019 Pro Plus Keys	$3 for telephone activation, $5 (Online Activation) and $12 Office 2019 Bind Key for windows (Binds to your email)
Office 365 Private Account	$3 (Private, lifetime, up to 5 devices).
Office 2021 or 2019 Pro Plus 5PC Keys	$12 for 2021, $12 for 2019
Office 2021 or 2019 Home and Business for Mac	$10 for Bind key (Binds to your email)
CourseHero 15 Unlocks Private Account	$4 - one Month duration
Bitdefender 3 Months Keys	$1 (Works on new accounts only)
Malwarebyte Keys	$7 - Original lifetime Windows or $6 - 1 year any OS, $4 for 6 months
Kaspersky 200-360+ days Keys	$8 - Total Security / $7 - Internet Security
Microsoft Server 2022/2019/2016 Data CenteStandard 2PC Keys	$4 (2019/2016) or $5 (2022)
Microsoft Visio Pro 2021/2019/2016 2PC Keys	$5 for 2021, $4 for 2019/2016
Microsoft Project Pro 2021/2019/2016 2PC Keys	$5 for 2021, $4 for 2019/2016
Real Phone SMS Verification Service, Non-VOIP	From $1 & Have numbers for almost all Services and Most countries, just ask
Edu Email	$5 Private, Outlook or Gmail login, Amazon Prime and co.
Autodesk Keys	$15+ Contact me for products and prices
VMware Workstation 16 Pro	$5

Discord server - https://discord.gg/GUfzzJH6G3
Contact me via PM/Chat or Telegram @ ABCsella for purchase or more information. I sell streaming accounts, MAK and bulk windows keys as well as other keys at a discounted rate. Contact me to discuss if you need bulk.
*2PC means the key will work on (activate) 2 devices.

​

PRODUCTS	PRICE/DETAILS
Windows 11 & 10 Keys	$3.5 - Win11 or 10 Pro & Home (Pro upgrades Home to Pro and Activates)
Office 2021 Pro Plus Keys	$3 (Phone activation), $5 (Online Activation), $10 Bind Key(Binds to your email)
Office 2019 Pro Plus Keys	$3 for telephone activation, $5 (Online Activation) and $12 Office 2019 Bind Key for windows (Binds to your email)
Office 365 Private Account	$3 (Private, lifetime, up to 5 devices).
Office 2021 or 2019 Pro Plus 5PC Keys	$12 for 2021, $12 for 2019
Office 2021 or 2019 Home and Business for Mac	$10 for Bind key (Binds to your email)
CourseHero 15 Unlocks Private Account	$4 - one Month duration
Bitdefender 3 Months Keys	$1 (Works on new accounts only)
Malwarebyte Keys	$7 - Original lifetime Windows or $6 - 1 year any OS, $4 for 6 months
Kaspersky 200-360+ days Keys	$8 - Total Security / $7 - Internet Security
Microsoft Server 2022/2019/2016 Data CenteStandard 2PC Keys	$4 (2019/2016) or $5 (2022)
Microsoft Visio Pro 2021/2019/2016 2PC Keys	$5 for 2021, $4 for 2019/2016
Microsoft Project Pro 2021/2019/2016 2PC Keys	$5 for 2021, $4 for 2019/2016
Real Phone SMS Verification Service, Non-VOIP	From $1 & Have numbers for almost all Services and Most countries, just ask
Edu Email	$5 Private, Outlook or Gmail login, Amazon Prime and co.
Autodesk Keys	$15+ Contact me for products and prices
VMware Workstation 16 Pro	$5

Discord server - https://discord.gg/GUfzzJH6G3
Contact me via PM/Chat or Telegram @ ABCsella for purchase or more information. I sell streaming accounts, MAK and bulk windows keys as well as other keys at a discounted rate. Contact me to discuss if you need bulk.
*2PC means the key will work on (activate) 2 devices.

​

PRODUCTS	PRICE/DETAILS
Windows 11 & 10 Keys	$3.5 - Win11 or 10 Pro & Home (Pro upgrades Home to Pro and Activates)
Office 2021 Pro Plus Keys	$3 (Phone activation), $5 (Online Activation), $10 Bind Key(Binds to your email)
Office 2019 Pro Plus Keys	$3 for telephone activation, $5 (Online Activation) and $12 Office 2019 Bind Key for windows (Binds to your email)
Office 365 Private Account	$3 (Private, lifetime, up to 5 devices).
Office 2021 or 2019 Pro Plus 5PC Keys	$12 for 2021, $12 for 2019
Office 2021 or 2019 Home and Business for Mac	$10 for Bind key (Binds to your email)
CourseHero 15 Unlocks Private Account	$4 - one Month duration
Bitdefender 3 Months Keys	$1 (Works on new accounts only)
Malwarebyte Keys	$7 - Original lifetime Windows or $6 - 1 year any OS, $4 for 6 months
Kaspersky 200-360+ days Keys	$8 - Total Security / $7 - Internet Security
Microsoft Server 2022/2019/2016 Data CenteStandard 2PC Keys	$4 (2019/2016) or $5 (2022)
Microsoft Visio Pro 2021/2019/2016 2PC Keys	$5 for 2021, $4 for 2019/2016
Microsoft Project Pro 2021/2019/2016 2PC Keys	$5 for 2021, $4 for 2019/2016
Real Phone SMS Verification Service, Non-VOIP	From $1 & Have numbers for almost all Services and Most countries, just ask
Edu Email	$5 Private, Outlook or Gmail login, Amazon Prime and co.
Autodesk Keys	$15+ Contact me for products and prices
VMware Workstation 16 Pro	$5

Discord server - https://discord.gg/GUfzzJH6G3
Contact me via PM/Chat or Telegram @ ABCsella for purchase or more information. I sell streaming accounts, MAK and bulk windows keys as well as other keys at a discounted rate. Contact me to discuss if you need bulk.
*2PC means the key will work on (activate) 2 devices.

I created a My Mikes account and now i can’t access it. When i go to reset the password it says my email doesn’t exist which is weird because i have it saved it keychain. “Okay I’ll just make a new account” I think, but that’s a also impossible and i can’t find a number to call to get my account reset , any help ?